PLAN C
Mar
12
to Apr 12

PLAN C

PLAN C is a darkly funny, time-collapsing caper of resistance, relationships, and rebellion. In 1620 Brussels, imperial postmistress Alexandrine Von Taxis moves more than mail through the empire’s hands during The Thirty Years’ War. In present-day West Virginia, Charley Gibson runs her family’s hardware store, where lockers conceal more than tools. As 17th-century espionage collides with a small-town network, PLAN C exposes how rebellion takes shape. 

PLAN C flips between two eras to bring history and the present into dynamic conversation with movement, original music, and ensemble-driven storytelling. This nine-person ensemble uses Hook & Eye’s signature devising style, to bring to life a story that reflects the urgency of the present moment.

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Robert Drive
Mar
28
to Mar 29

Robert Drive

Three siblings reunite in their grandmother’s Lancaster, New York home. They hunker in her basement as she lies in hospice care upstairs. While in her basement, they discover an old card game called Scruples, unearth buried tensions, and ask looming questions. Robert Drive is an aching story about where we come from—and who we’re living for.

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SERIALS
Apr
2
to Apr 4

SERIALS

SERIALS is a late-night episodic play competition series. Each weekend of performances, five original, never-before-seen 10 minute works are rehearsed, teched, and fully staged, premiered live in front of our audience.

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Ètude
Apr
8
to Apr 18

Ètude

If Thornton Wilder wrote ‘Gruesome Playground Injuries’, “ÉTUDE” brilliantly explores the question of eternal connection from award winning playwright Ashley Griffin.

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Apr
11
to Apr 24

Apartment 2B

With borrowed elements from Shakespeare’s Hamlet, this original play featuring besties Gertrude, Hamuletta, and Ophelia brings new meaning to your typical living-room drama: laughter, gossip, and unexpected betrayal.

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The Pink House
Apr
13
to Apr 14

The Pink House

Uneven cobblestones. Faded houses with chipped paint, terraces beaming with gossip, and clotheslines. Suspicious glances and big personalities. Wind that smells like clean laundry and jasmine flowers. Tradition clings tightly in Cene. Noise travels for miles. On a hill in the mountainous valley of Northern Italy sits a pink house, in the town of Cene, Bergamo. Spring 2021. Post COVID lockdown.

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Apr
23
to Apr 26

Cookie

In a darkly comic, crumbling cabaret, a performer is haunted by a sentient puppet born from their unraveling mind, demanding they confront the cycle of violence they believed they had escaped.

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Saabiti: NOT Guilty
Apr
26
to Apr 29

Saabiti: NOT Guilty

What happens when society becomes the patient? Social Lab—an internationally celebrated South Asian production—dissects reality through razor-sharp absurd dark comedy. Disturbing, hilarious, and unapologetically honest—this is a new taste New York theatre won’t forget.

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Mikey!
May
19
to May 31

Mikey!

Mikey is the queer coming of age story about Michelangelo. Tangled in an illicit affair during his rise to Renaissance fame after sculpting The David, Michelangelo finds himself in an existential crisis when he is forced to paint the Sistine Chapel. To finish the project he must risk it all to cement his legacy.

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May
20
to May 23

The New Year

The New Year
Wednesday, May 20 at 9:30pm | Friday, May 22 at 9:30pm | Saturday, May 23 at 9:30 pm

Max Rosenblum - Writer
Jake Keville - Director
Kenzie Packer - Stage Manager & Producer

The New Year is a romantic tragicomedy following two lonely teenagers who meet on New Year’s Eve in an online roleplay chatroom. May is May. Perry is British actor Matt Smith. Their conversation that night, unexpectedly intimate, forms a bond between the two: they become each other’s best friend, confidant, and lifeline through the turmoils of adolescence. That is, until “real life” intrudes…

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CHANGES
Mar
22
to Mar 24

CHANGES

Honest, vulnerable, and full of soul, this play invites audiences into the moment when a dream, a community, and a young man’s identity are all in transition, and nothing is certain.

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The Art of War and Hip Hop
Mar
1
7:00 PM19:00

The Art of War and Hip Hop

Kae (an Afro-Chinese, closet-queer, comic book artist) reconciles different aspects of her identity by escaping into a fantasy world where demons—such as family trauma, colorism, and more—are easier to slay. When she embarks on a journey to find extended family abroad, the lines between fiction and reality fade irreversibly.

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THE MALL THE MALL THE MALL
Feb
26
to Mar 22

THE MALL THE MALL THE MALL

THE MALL THE MALL THE MALL is an adventure comedy about a group of teenagers who uncover an evil conspiracy at their local shopping mall and must fight their way – video game style – through Hollister, Hot Topic, Build-A-Bear, and more to save their beloved mall. An unapologetic love letter to nerd culture and food courts, THE MALL^3 is both a laugh-packed nostalgia fest and an earnest meditation on what it meant to grow up at the dawn of the digital age.

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The Fifth Paragraph
Feb
22
3:00 PM15:00

The Fifth Paragraph

A multimedia performance exploring immigration, antisemitism and escaping Communism, told from the perspective of a ten year-old girl immigrating from the Former Soviet Union. Blending story telling, projected video and live music.The Fifth Paragraph the line in the Soviet passports that identified Jews for the purpose of systemic discrimination. In writing, it is also the conclusive paragraph of a five-paragraph essay.

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HALALish
Feb
14
to Mar 7

HALALish

From Pakistan to NYC, a Muslim woman’s journey through love, labels, longing, and (potentially) getting laid on Valentine’s Day. Told with humor, heartbreak, and a bit of healing.

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Scarecrow
Feb
12
to Mar 1

Scarecrow

A looping fever dream in a house that keeps turning back into a wheatfield, "Scarecrow" is an experimental dance theater deathbed hallucination where mind and body stand in open confrontation—a quiet, disorienting psychodrama set in a 1950s interior-wheatfield where memories deteriorate, the unseen insists on being felt, and the body returns to its limits.

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If We Really Were Witches
Feb
5
to Feb 14

If We Really Were Witches

What would’ve happened if real witches dropped in on the witch hunts? Comedy, we’re pretty sure. Summoned by the ghost of a witch hunt victim, real witches Mildred, Agnes & Suds arrive to rescue innocent Obediently Snead and serve up a little justice of their own. When challenged by The Pricks of Puritanical Piety Guild and Social Club, the real witches turn the tables on those who abuse their power to harm others out of ignorance and fear.

This four-person 60-minute comedy self-identifies as "The Crucible Meets Monty Python" and is headed over to The Edinburgh Festival Fringe in 2026.

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SERIALS
Feb
5
to Feb 7

SERIALS

SERIALS is a late-night episodic play competition series. Each weekend of performances, five original, never-before-seen 10 minute works are rehearsed, teched, and fully staged, premiered live in front of our audience.

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JERRY
Feb
2
to Feb 8

JERRY

A producer’s meeting unravels when two visitors arrive with a script, a plan, and unclear intentions. JERRY is an absurd one-act absurd about nouveau fascism and moviemaking.

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Subject X
Jan
28
to Feb 10

Subject X

A darkly funny one-act where a grad student’s research presentation on love unravels into obsession, blurring the line between study and breakdown in a sharp, chaotic dissection of modern romance.

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