Dale, a Deaf man new to NYC, falls for Wyatt, a hearing non-signer. With his eclectic circle of friends, he sets out to prove love transcends any communication divide.
Face Tape is back for another year of the chaos, camp, and all out hilarity that you know and love!
If Thornton Wilder wrote ‘Gruesome Playground Injuries’, “ÉTUDE” brilliantly explores the question of eternal connection from award winning playwright Ashley Griffin.
A clown (Sevrin Willinder) needs the audience's help to deliver letters across time and space.
With borrowed elements from Shakespeare’s Hamlet, this original play featuring besties Gertrude, Hamuletta, and Ophelia brings new meaning to your typical living-room drama: laughter, gossip, and unexpected betrayal.
A shared bill of evolving contemporary dance works by Bailey Anglin, Ben Green, Doron Perk, Dale Ratcliff, and Nikki Theroux.
The Tank NYC presents ANTONIN ARTAUD - 130th ANNIVERSARY directed by Ioli Andreadi. A theatrical tribute to Antonin Artaud with two back2back plays, BONE and GENICA, by Ioli Andreadi & Aris Asproulis.
After Hitler’s rise, journalist Charlotte Beradt collected Berliners’ dreams revealing fear, surveillance, and resistance. Later published as an indictment of the regime, now adapted into a haunting stage production.
4 short readings from the Tank's cohort of autistic playwrights!
Falling is an uncomfortably sexy and hilariously vulnerable stumble through Aaron’s misadventures searching for love, lust, and life after disability.
Come see Mr.Cardboard face his darkest hour yet! Watch him battle to save the eternal spirit of Land of Cardboard, in this theatrical solo clown show by Miles Calderon.
The Rule Of Thirds
April 22nd at 9:30PM | April 23rd at 9:30PM | April 25th at 3:00PM | April 26th at 3:00PM | April 30th at 7:00PM | May 2nd at 7:00PM | May 6th at 7:00PM | May 15th at 9:30PM
Kairos Italy Theater
Playwright: Marco De Simone
Director: Montgomery Sutton
With Ben Natan*, Greg Horton*
Stage Manager: Zoe Loveless
Assistant Director: Nikki Monson,
Set Design: Sarah Edkins
Costume Design: Barbara Erin Delo
Light Design: Adrian Yuen
Sound Design: Kellen Voss
Mentor: Debora Balardini
*Appearing through an Agreement between Kairos Italy Theater and Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the US
Presented by Kairos Italy Theater and the TANK NYC as part of the Emerging Directors’ Mentorship at In Scena! Italian Theater Festival NY 2026
La regola dei terzi is inspired by a real event recounted in the autobiography of Robert Capa. Southeastern Sicilian hinterland, at dawn on Saturday, July 10, 1943. A farmer welcomes war photojournalist Robert Capa into his farmhouse after he parachuted onto the island the night before the Allied landing. Their dialogue highlights the photographer’s strong personality and his wealth of anecdotes, shaped by firsthand experience in war zones. In the background, the farmer becomes the voice of the “thirds”—the vast mass of civilians who remain outsiders to the warring factions. Like the photographic rule suggests, these individuals demand to be brought into focus to tell another story—their own—hidden beneath the Grand Historical Narrative. The rule of thirds by Marco De Simone, translated by Caterina Nonis, is the winner of the In Scena! Playwright 2025.
Marco De Simone (Salerno, 1992) is an author, actor and musician. A graduate of the Conservatory in Classical Guitar and a master’s degree in Philosophy, he has been writing for the theater since 2016. His texts “It Never Happened” and “The Smell of the Moon” have received national awards; his show “We, Puppets,” in which he is also a performer, has been performed more than 40 times in Italy and abroad. He has 4 musicals to his credit and numerous collaborations with contemporary theater and dance companies, for which he has written stage music, scripts and adaptations.
Much of grief is fantasy. Maria is recently dead. She’s lost in a maze of imaginings built by people she left behind. A haunting, funny play about love after death.
In a darkly comic, crumbling cabaret, a performer is haunted by a sentient puppet born from their unraveling mind, demanding they confront the cycle of violence they believed they had escaped.
Ben and Nat are two students from different social groups who have each recently gone through a major tragedy, the double suicide of two of their friends.
A woman returns from death for one hour to fight her verdict. SAABITI: NOT GUILTY is an immersive ritual exposing patriarchy, memory, and truth—demanding one final answer: was she ever guilty?
Road House hits The Tank for three high-energy sketch shows! Join The Armory’s resident crew for one-night-only events packed with weird characters, wild premises, and who knows what else.
Set in 1880s Appalachia, two young lovers from feuding families imagine a future beyond bloodlines in this bold, physically imaginative two-actor reimagining of Romeo and Juliet.
A Holocaust survivor. A civil rights attorney. A life spent fighting for people the law forgot. STUMBLING STONES is a true story about justice, love, and the work that never ends.
An absurd tragicomedy following a family barbecue gone askew when the youngest daughter tries summoning a demon. Fear and Trembling with a side of ketchup.
Thea is doing her masters thesis on WetFest: The World’s Only International Lesbian Festival. When she is struck by a mystical vision, Thea must journey to discover what transpired centuries prior - before it's too late.
A new puppet musical for young audiences celebrating the power of a gentle heart through bold visual storytelling and a unique mix of glove, rod, shadow, and direct-manipulation puppetry.
Lt. Love Dr. Hotty McTotty has traveled back in time to revive human connection.. before it's too late! Through a series of hilarious drills, together, you will end the loneliness epidemic.
I’ve Arted is a new, live game show, rooted in improvisation and meant to celebrate the joy and creation of art!
A comedy about the strain of post-college limbo on three friends when a high pressure audition for a prestigious play comes to their home state of Portsmouth, New Hampshire.
When you hear the call, will you escape the rat race or remain a spectator of someone else’s success? You missed your chance of buying Bitcoin. Now don’t miss this show.
A Cat in a Box is a darkly humorous solo play tracing one man’s fractured childhood and hard-won healing, exploring love, loss, survival, and the enduring possibility of hope.
Sex, Camp, Rock 'N Roll - A show that touches people, and then they touch themselves
Disgraced Olympic swimmer Ryan L*chte is dying of loneliness, trying to milk attention from his robot wife Deirdre, a Cyclops Michael Ph*lps, and terrifyingly…YOU! Can someone help this man??
Performers speaking without words. Won't you join us? Improvised, spontaneous, contradictory. This May, UN-LANGUAGE 4 Gender Equality creates a platform for a dialogue on feminism and gender equality.
Mikey is the queer coming of age story about Michelangelo. Tangled in an illicit affair during his rise to Renaissance fame after sculpting The David, Michelangelo finds himself in an existential crisis when he is forced to paint the Sistine Chapel. To finish the project he must risk it all to cement his legacy.
After a blind date, visual artist, Ember, and budding writer, Den, find themselves entangled in a five year love story that shifts and turns like the phases of the moon.
The New Year
Wednesday, May 20 at 9:30pm | Friday, May 22 at 9:30pm | Saturday, May 23 at 9:30 pm
Max Rosenblum - Writer
Jake Keville - Director
Kenzie Packer - Stage Manager & Producer
The New Year is a romantic tragicomedy following two lonely teenagers who meet on New Year’s Eve in an online roleplay chatroom. May is May. Perry is British actor Matt Smith. Their conversation that night, unexpectedly intimate, forms a bond between the two: they become each other’s best friend, confidant, and lifeline through the turmoils of adolescence. That is, until “real life” intrudes…
Get Fucked is NYC’s funniest, raunchiest play about sexually active 20-somethings.
Spring for Spring Dance Festival is a one-day choreographic showcase of local dance makers.
KTCO presents two world premieres choreographed by Katie Corrao in collaboration with company dancers. Sauadade and Grève Rèvolte, though starkly different, will together guide the audience from introspection towards awakening. Prompting a deconstruction of ourselves, a reflection of personal truths, shared responsibility, and the values that define us.
Jenny just got engaged and she's very very excited although her fiancee doesn't seem to want to help plan the wedding or talk to her. But when a Prince on a unicorn offers Jenny some sexy solace, maybe things will work out okay?
At her son’s birthday in the park, Rose gets a chilling call: her son’s in a sharpshooter’s crosshairs…igniting a taut, high-stakes cat-and-mouse political thriller.
I’ve Arted is a new, live game show, rooted in improvisation and meant to celebrate the joy and creation of art!
RETURNING after its popular run at NYC Fringe. This meta-theatrical solo performance grapples with youth, tragedy, and validation while attempting to provide insight into the world's most famous love story.
When tragedy strikes, will you let fate define you? Or will you shatter the narrative to write your own story?
Bryan Stoops has performed in twenty-two countries on five continents, in such exotic cities as Melbourne, Casablanca, and Newark. Featuring some of the best stand-up comedians in NYC. Bryan headlines.
To let go of who she was, Samantha does what anyone would--throw a funeral for her past selves and invite everyone who knew-her-when to the party. "Skilled comedy voice" (FringeReview).
"Percolating" is a dance showcase presented by Chutzpah Dance, focusing on refined works-in-progress pieces allowing artists to explore new experimental ideas.
A kaleidoscopic queer comedy where two performers unravel the forgotten Hollywood film The Pearl of My Oyster, a tragic melodrama about a socialite’s love affair with a brutish fisherman.
Dunesical is a mix of camp musical theater, raunchy fanfic, and meta exploration of adaptation- posing the following questions: “Are Dunesicals good? Do they suck? Do Dunesicals contribute anything to the world?”
In this dark comedy, newlyweds Claire and Patrick are presented with the ultimate test. Will it bring them closer together, or will death do thy part?
a demonic comedy about having pain in the "wrong" places
by Laura Neill
co-directed by Kelleen Moriarty and Thalia Sablon
co-produced by Thalia Sablon and Murmuration Theatre Company
August 24 - September 4, 2026
a New Georges Supported Production
Supported by the OPportunity Fund
Fed up with the pain in their uteruses, 5 friends form an amateur coven to cast a healing spell... but they don't know what they're doing, and may have accidentally summoned a demon….
Waco, 1993. The true story of the standoff between cult leader David Koresh and the FBI, with a script crafted entirely from hundreds of hours of recorded government negotiation transcripts.
Uneven cobblestones. Faded houses with chipped paint, terraces beaming with gossip, and clotheslines. Suspicious glances and big personalities. Wind that smells like clean laundry and jasmine flowers. Tradition clings tightly in Cene. Noise travels for miles. On a hill in the mountainous valley of Northern Italy sits a pink house, in the town of Cene, Bergamo. Spring 2021. Post COVID lockdown.
Yet You're A Virgin (And So Am I) is a two-person comedy about gay/lesbian friendship and grappling with the effects of growing up chronically online.
A nonbinary actor’s final callback for Glinda in Wicked turns the holding room into a purgatory where ambition, identity, and dreams ignite righteous anger.
SERIALS is a late-night episodic play competition series. Each weekend of performances, five original, never-before-seen 10 minute works are rehearsed, teched, and fully staged, premiered live in front of our audience.
Three siblings reunite in their grandmother’s Lancaster, New York home. They hunker in her basement as she lies in hospice care upstairs. While in her basement, they discover an old card game called Scruples, unearth buried tensions, and ask looming questions. Robert Drive is an aching story about where we come from—and who we’re living for.
The scripture doesn’t tell us what Jesus is supposed to do with a widespread following that aggressively objectifies him without consent and bullies him for looking like Ratatouille, but it tells us one thing for sure: he's gonna come.
Experience the most poetic story of one New York City public school teacher’s miraculous and sometimes hilarious journey that will serve humanity as a simple but profound remedy for disconnection.
Honest, vulnerable, and full of soul, this play invites audiences into the moment when a dream, a community, and a young man’s identity are all in transition, and nothing is certain.
Come celebrate Turkish Music with these incredible musicians and vocalists!
Invisible/Visible-"Telling It Like It Is- is a raw, fearless performance by ZCO/DANCEPROJECT confronting mental and physical disability, transforming vulnerability into strength, challenging perceptions, and proving setbacks become powerful comebacks.
PLAN C is a darkly funny, time-collapsing caper of resistance, relationships, and rebellion. In 1620 Brussels, imperial postmistress Alexandrine Von Taxis moves more than mail through the empire’s hands during The Thirty Years’ War. In present-day West Virginia, Charley Gibson runs her family’s hardware store, where lockers conceal more than tools. As 17th-century espionage collides with a small-town network, PLAN C exposes how rebellion takes shape.
PLAN C flips between two eras to bring history and the present into dynamic conversation with movement, original music, and ensemble-driven storytelling. This nine-person ensemble uses Hook & Eye’s signature devising style, to bring to life a story that reflects the urgency of the present moment.
Following their decision to divorce, Sam, a failed writer and Eileen, a genetic scientist are tasked with sorting out custody for Bumpo, a dog/human hybrid that they’ve been raising as a son.
STEPHEN MILLER MEETS THE PARENTS is a (very) darkly comic exploration of what might be driving those who don't seem to care about anyone other than themselves.
A playful, imaginative, and cheeky romp into the world of BDSM and how it was the catalyst for a healing journey.
Live on-air when the rapture happens, evangelical host Phil Mitchell keeps broadcasting. Think Jim Bakker meets Joel Osteen with better sideburns a darkly comic solo show about divine rejection.
When Ken and Sarah, two total strangers, are sent to Mars as part of a government “experience”, they decide to change their names and start their lives anew in space.
Mary visits her therapist Yvonne following the holidays. While the meeting of the two women may be commonplace, shit hits the fan in the last way one would expect.
Alight is a series of vignettes chronicling the moments where we are forced to come face to face with the worst versions of ourselves.
A pirate musical comedy where you're the hero. Whether you're in the theater or livestreaming from miles away, you get to suggest, vote, and shape the outcome of the story.
Kae (an Afro-Chinese, closet-queer, comic book artist) reconciles different aspects of her identity by escaping into a fantasy world where demons—such as family trauma, colorism, and more—are easier to slay. When she embarks on a journey to find extended family abroad, the lines between fiction and reality fade irreversibly.
A raw performance transforming sound and silence into an act of remembrance and resistance.
THE MALL THE MALL THE MALL is an adventure comedy about a group of teenagers who uncover an evil conspiracy at their local shopping mall and must fight their way – video game style – through Hollister, Hot Topic, Build-A-Bear, and more to save their beloved mall. An unapologetic love letter to nerd culture and food courts, THE MALL^3 is both a laugh-packed nostalgia fest and an earnest meditation on what it meant to grow up at the dawn of the digital age.
A multimedia performance exploring immigration, antisemitism and escaping Communism, told from the perspective of a ten year-old girl immigrating from the Former Soviet Union. Blending story telling, projected video and live music.The Fifth Paragraph the line in the Soviet passports that identified Jews for the purpose of systemic discrimination. In writing, it is also the conclusive paragraph of a five-paragraph essay.
Two Long Lost Twins. One Haunted Apartment. What could go wrong?
From Pakistan to NYC, a Muslim woman’s journey through love, labels, longing, and (potentially) getting laid on Valentine’s Day. Told with humor, heartbreak, and a bit of healing.
A looping fever dream in a house that keeps turning back into a wheatfield, "Scarecrow" is an experimental dance theater deathbed hallucination where mind and body stand in open confrontation—a quiet, disorienting psychodrama set in a 1950s interior-wheatfield where memories deteriorate, the unseen insists on being felt, and the body returns to its limits.
‘Top Of The Pyramid’ is an adult dance competition festival by Malia Lam and Alex Schmidt hosted at The Tank Theater (312 W 36th St, New York, NY, 10018) on February 6th & 7th, 2026 at 7pm.
What would’ve happened if real witches dropped in on the witch hunts? Comedy, we’re pretty sure. Summoned by the ghost of a witch hunt victim, real witches Mildred, Agnes & Suds arrive to rescue innocent Obediently Snead and serve up a little justice of their own. When challenged by The Pricks of Puritanical Piety Guild and Social Club, the real witches turn the tables on those who abuse their power to harm others out of ignorance and fear.
This four-person 60-minute comedy self-identifies as "The Crucible Meets Monty Python" and is headed over to The Edinburgh Festival Fringe in 2026.
SERIALS is a late-night episodic play competition series. Each weekend of performances, five original, never-before-seen 10 minute works are rehearsed, teched, and fully staged, premiered live in front of our audience.
A producer’s meeting unravels when two visitors arrive with a script, a plan, and unclear intentions. JERRY is an absurd one-act absurd about nouveau fascism and moviemaking.
