STAFF

BOARD

ADVISORY BOARD

MEGHAN FINN
ARTISTIC DIRECTOR

Meghan Finn (she/her) is the Artistic Director of The Tank. She previously served as the Associate Artistic Director at 3LD Art & Technology Center. Her directorial work has been seen at the Tank, the V&A, Serpentine Galleries, The Wexner Center, SCAD, The Logan Center for the Arts in Chicago, Museo Jumex Mexico City, The Power Plant, Canadian Stage, Carnegie Mellon, Brooklyn College, MIT, NYU, the Great Plains Theater Conference and others. She has directed three world premieres by playwright Mac Wellman, including most recently The Invention of Tragedy (2019). Other recent credits include: I Am Nobody a new musical by Greg Kotis (Urinetown) at The Tank; as well as The Nine Dreams: Blake & the Apocalypse by writer Nick Flynn (film). She directed a short film by playwright Peggy Stafford called 16 Words or Less which has been screened at indie film festivals nationally and in Europe. She is a frequent collaborator of conceptual artist and sculptor Pedro Reyes, and directed Doomocracy for Creative Time. Finn collaborated with photographer Mitch Epstein on a live performance with cellist Erik Friedlander as well as celebrated premieres by Erin Courtney, Peggy Stafford, Gary Winter, Ben Gassman, Alexandra Collier, Carl Holder, Eliza Bent and Cori Copp. When We Went Electronic by Caitlyn Saylor Stephens which premiered at The Tank in 2018 toured in 2021 to The Roes Theater in Athens Greece and OnStage! Festival Rome and Milan. She holds a BA in Theater from The University of Southern California and an MFA in Directing from Brooklyn College.

MOLLY FITZMAURICE
MANAGING PRODUCER

Molly FitzMaurice (she/her) is a dramaturg, producer, and theater maker. She holds an MFA in Dramaturgy and Dramatic Criticism with a certificate in Theater Management from David Geffen School of Drama at Yale University, where she is now a doctoral candidate, writing a dissertation on the conceptual turn in American new plays. Previously, she served as co-artistic director of Yale Cabaret, producing director of the Dwight/Edgewood Project, and in the artistic offices of Yale Repertory Theatre, South Coast Repertory, Eugene O’Neill Theater Center, and Huntington Theatre Company. As a production and new play dramaturg, she’s collaborated with artists including Nambi E. Kelley, Erika Dickerson-Despenza, Carl Cofield, Rory Pelsue, Aneesha Kudtarkar, Genne Murphy, Shadi Ghaheri, Alex Lubischer, and many others. She has also produced gatherings for The Foundry Theatre, Theater Magazine, the City of New Haven, and Salonathon. She holds a BA from the University of Chicago in humanities and theater, with a focus on archetypal narratives (fairy tales!). She loves running, baking, roller coasters, and her dog Gerda. http://www.mollyfitzmaurice.com/

JOHNNY G. LLOYD
DIRECTOR OF ARTISTIC DEVELOPMENT

Johnny Lloyd (he/him) is a New York-based writer, producer and dramaturg. Full-length plays include Or, An Astronaut Play (the Tank), Patience (Corkscrew Theatre Festival) and In the Woods We Return (InVersion Theatre). Short plays include Round (Samuel French Off-Off Broadway Festival), A Brief History of Stamps (the Tank) and It’s A Ghost Story (Homebase Collective). His work has been seen and developed at JAG Productions (White River Junction, Vt.), 59E59, Dixon Place, Judson Memorial Church, the Kelly’s Writers House, TheatreLab (Boca Raton, Fla.) and more. Lloyd was a member of the 2019-2020 Liberation Theatre Company’s Writing Residency. Lloyd was a semi-finalist for the 2018 Open-Application Commission at Clubbed Thumb and was the 2017-2018 Shubert Fellow for Playwriting at Columbia University. He is the producing director for InVersion Theatre and co-founder of the We Read Books series at the Tank. His work as a dramaturg and associate director has been seen at En Garde Arts, Abrons Arts Center and more. Member of SalonSéance. MFA in Playwriting from Columbia University. jglloyd.co

PETE BETCHER
TECHNICAL MANAGER

Pete Betcher (he/him) is a multidisciplinary artist, and theater maker. He graduated from the University of Montana with BA degrees in Theater and Media Design. Since 2010, the focus of his on stage work has been with The Back Pack; a movement group that focuses on fully original, creative work that often uses media integration. With the group, Pete has produced and performed in more than 50 productions since 2010. In addition to being a primary performer and collaborator, Pete is the Creative Director, visual designer, sound designer, prop designer, and digital media lead. His work with the group has received two B. Iden Payne awards for Best Media, and a Critics Table Award for Best Movement. Outside of the theater world, Pete has designed two board games, takes a rock climbing "vacation" once a year, prefers to commute on a human powered bike, and has been crowned the winner of an ice cream eating contest.

CONNOR SCULLY
MARKETING & AUDIENCE ENGAGEMENT MANAGER

Connor Scully (he/him) is a theatrical producer and director currently pursuing his MFA in Theatre Management & Producing from Columbia University. When not at the Tank, Connor is helping other early career artists produce their shows, including recently associate producing Ice Factory at the New Ohio Theatre. He also shows with the group he helped found, DOG STUFF. With DOG STUFF, He’s directed and produced multiple productions including the new works One in Four (Capital Fringe, The Brick) and Wrong Chopped (Firehouse Theatre), as well as an absurdist deconstructed Seven Brides for Seven Brothers (Firehouse Theatre). @sculliosis.

KAELA MEI-SHING GARVIN
PROGRAMMING ASSOCIATE

Kaela Mei-Shing Garvin (they/she) is a writer, educator, and new work advocate. Plays include Call Out Culture (2022 O'Neill NPC Finalist, 2021 NADIA Festival, 2019 Ars Nova’s ANTFest), High School Coven (2023 Strand Theatre production, 2017 Corkscrew Festival), Harpers Ferry 2019 (2022 Know Theatre of Cincinnati production, 2021 Kendeda finalist), and Tiger Beat (2021 Bay Area Playwrights Festival, 2021 Seven Devils finalist). Kaela’s received six Kennedy Center awards and developed work with Breaking the Binary, the Alliance Theater, the Coop’s Clusterf*ck, and Pipeline Theater Company’s Playlab. Commissions include work with Yangtze Rep (Project YZ), EST/Sloan, Montana Repertory Theater, and College of the Holy Cross. They worked on staff at the Sewanee Writers Conference and as the BAPF Season 45 Play Selection Advisor at the Playwrights Foundation, and they have taught playwriting at Indiana University, Cornish College of the Arts, and Freehold Theater. They currently work as Programming Associate at the Tank and as Literary Manager for Luna Stage. www.kaelameishinggarvin.com

GEORGE STRUS
PRODUCERS COHORT FACILITATOR

George Strus (they/them) is a trans non-binary Latiné artist based on the unceded ancestral lands of the Munsee Lenape people (colloquially known as New York). They founded Breaking the Binary Theatre: a new work development and community building hub for transgender, non-binary, and Two-Spirit+ theatermakers. In addition to their role as Founding Artistic Director of Breaking the Binary Theatre and their freelance producorial and dramaturgical work, they also currently serve as Artistic Producer at The Sol Project, Seasonal Producing Manager at The Public Theater, Producers Cohort Facilitator at The Tank, and Theatre Scout at Curate Management. Previously, they held positions at Second Stage Theater, A3 Artists Agency, Manhattan Theatre Club, Pride Plays at Rattlestick Playwrights Theater, Playbill, Stacey Mindich Productions, Alchemation, Telsey + Company Casting, Paper Mill Playhouse, and Broadway Cares/Equity Fights AIDS.

ALEJANDRA VENANCIO
PRODUCING FELLOW

Alejandra Venancio (she/her/hers) is a theater-maker from Colorado with a BFA from the Hartt School and an MA from the Royal Academy of Dramatic Art's Theater Lab. Her focus on collaborative storytelling is rooted in devised, experimental and physical theater. As a performer, her recent work includes Discus (ART/New York) with Hunger & Thirst and Marta Nesspek Presents...(streaming on Twitch) and The Extremely Grey Line (New Ohio Theatre Ice Factory) with 23.5° Tilt. Other collaborations include 40 Volume (The Knockdown Center), The Vyuga Project (Dixon Place), and A Dead Tree Gives No Shelter (RADA Theatre Festival)

ESMÉ MARIA NG
PRODUCING FELLOW

Esmé Maria Ng (they/she/he) is a theater (maker/administrator/educator) who loves heartbreak, new plays, and laughing through the pain. They have worked with Manhattan Theatre Club, Ma-Yi Theater Company, Breaking the Binary Theatre, The Playwrights Realm, and Eugene O’Neill Theater Center. Esmé’s plays have earned honors as a 2023 Lambda Literary Playwriting Fellow and a two-time Eugene O’Neill National Playwrights Conference semi-finalist. Their critical work was recently published in American Theatre Magazine. Esmé is currently a teaching artist with Girl Be Heard, a member of the American Theatre Group’s BIPOC PlayLab, and a freelance producer/dramaturg.

XIAOYUE ZHANG
PRODUCING FELLOW

Xiaoyue Zhang (she/her) is a multi-skilled performance, video, and image maker from China. She has produced and production managed performances in spaces and venues including REDCAT, AFROPUNK Festival 2023, The Geffen Contemporary at MOCA, The Getty Villa, and CalArts Center for New Performance. Her performance, movement, and video works have been shown at Theater Mitu(Hybrid Arts Lab), Center for Performance Research, LA Performance Practice, REDCAT New Original Works Festival, Hollywood Fringe Festival, Guangdong Museum of Art (China), and Short Film Corner of the 2018 Cannes International Film Festival. She is currently the Director of Performance Lab at the Orchard Project.

PATRICIA MARJORIE
MULTI-DISCIPLINE ARTISTIC COLLABORATOR

Patrícia Marjorie (she/her) is a Brazilian Director and multidisciplinary artist based in NYC with experience on different types and scopes of projects in theater. Actor, director and craft master, Patrícia moved to NYC after 19 years of an extensive work in theater productions in Brasília, Brazil's capital and federal district, where she got her Bachelor Degree in Performing Arts by Universidade de Brasília (UnB). Experienced executing measurable creative solutions in arts, design and interactive marketing. Patrícia's theatrical credits have included performing in classical plays like Shakespeare's Much Ado About Nothing (Brasilia 2014), modern adaptations as Heiner Muller's Hamlet- Machine (Brasilia 2001); TV Shows as Rainha da Cocada by Dulce Delight (NYC 2018). As a director, she directed On how to be a Monster by Maria Luiza Muller with At Alia Theatre Company in December 2019, at Casa Italiana (NYU- Tisch); she has been working on her own script A Song to Keep the Wolves Awake that had a staged reading last November at The Tank and soon to be open as a full production when the theaters re-open in NY. Associate artist at interactive Performances as The Other’s Shadow by Rodrigo Fisher at Dixon Place (NYC 2018) and all Galas for The Tank as associate designer. Patricia's NYC craft works include Props Master for Mac Welman’s Sincerity Forever, Sandalwood Box and The Fez recent productions at The Flea Theatre (2019) Black Exhibition by Jeremy O. Harris at Bushwick Starr and Skinfolk by Jillian Walker among others.

ISA GARCIA
INTERN

Isa Garcia (they/elle) is a born-and-bred Texan playwright, actor, deviser, dramaturg and filmmaker based in New York City. They are a recent graduate of NYU Tisch School of the Arts, with a BFA in Drama and a minor in Film Production. Their debut play, "ASÍ," premiered at Playwrights Horizons Theater School. It is a semi-autobiographical play that follows an overconfident lesbian playboy, Así, that wrestles (both literally and figuratively) with their internalized machismo, longing for love, and their childhood rival in a form-defying piece of dyke theater. They are currently developing it into a three act play with their lifetime collaborator, Kenny Castro. Their off-off Broadway acting debut was in the role of DEZ in "The (Final) Hole" by Jackie Heck at the Tank, as part of the DarkFest. They like to consider themselves the unofficial leader of the Dyke Theater Movement of Gen-Z.

JACK VENTIMILIA
INTERN

Jack Forrest Ventimilia (He/Him) is a playwright, actor, and director finishing his last semester at NYU Tisch’s Department of Dramatic Writing. Originally hailing from Los Angeles, Ventimilia’s theatre career began after winning the California Young Playwright’s Competition 2018. Recent production roles include: Playwriting Intern with Red Bull Theater during their 2023 Spring Season and Production Assistant for Fiasco Theater’s production of The Knight of the Burning Pestle. Recent artistic credits include Playwriting: Drag Night (Village Playwrights Pride 2023 Festival.) Acting: Cork in Gun Play (The Chain Theaters’s One Act Festival), Henry in Tides (The Tank’s Pridefest 2023), and Episode 2 of WNYU’s podcast The Scenes. To learn more, visit @jackventimilia on Instagram.

Clara Livingston
INTERN

Clara Livingston is a Brooklyn-based theatre-maker and arts administrator. She graduated from Emerson College where she worked as a producer, director, dramaturg, and performer. At Emerson, Clara was the Executive Director of emShakes Theatre Co., an organization dedicated to reimagining classical art for contemporary audiences. She specializes in devised and movement-based work. Originally from Columbus, Ohio, Clara relocated to New York this fall and is thrilled to be joining The Tank as an Intern.

McKenna McQueen
INTERN

McKenna McQueen(she/her) is a New York City based theatre artist. She works as the Community Engagement Associate at Kitchen Sink Theatre Company and recently graduated from Flagler College earning a Bachelor of Arts in Theatre Arts with minors in Music and Arts Administration. Recent productions include Ace in the Hole (Director), The Imaginary Invalid (Assistant Stage Manager), Separate Loads (Director), The 25th Annual Putnam County Spelling Bee (Assistant Stage Manager), About What Matters (Stage Manager), We’re Still Standing, or Whatever Elton John Said (Artistic Director/Director), Rice Water (Stage Manager), Cabaret 2023: The House We Live In (Assistant Director/Performer), and Rodgers’ and Hammerstein’s Cinderella (Assistant Director (KCACTF Region IV Student Director Nominee). She also served as the Marketing and Publicity Manger for various Flagler College Theatre Arts Department productions. McKenna is passionate about supporting the next generation of theatre artists and using theatre as an outlet to enact positive change. She is excited to be joining The Tank as an Intern.

VIVIAN WANG
INTERN

Vivian Wang (She/Her) growing up in Canada,Vancouver. She is a dynamic stage manager and lead actress in the theatrical production The Peach Blossom Fan in China. She studied theater performance at The Central Academy Of Drama, where she and the production team successfully toured 10 universities in multiple cities across China. After, she came to New York to pursue her master’s degree in Performing Arts Administration at NYU. Additionally, last summer she worked as a marketing intern at Paul Taylor Dance Company. Vivian is committed to continuing her work and thriving in the performing arts industry.

RAN XIA
RESIDENT DIRECTOR

Ran Xia is a playwright, director, and interdisciplinary artist born and raised in Shanghai, China (aka soup dumpling dreamland). Her plays have been seen on stages around New York City, including Pomegrenade at IRT; Harmony at HERE Arts Center; De Profundis at Jewel Box Theatre & The Cell; Byron in Velvet Dance Shoes at The Wild Project; Tre ex Machina at the Kraine (also published in Dionysian), [AI] (an adaptation of Ayn Rand's Anthem) at The Brick; North, They Lived in the Attic, Princess Anybody, etc., at Dixon Place. At the Tank, you might have caught her audio documentary performance projects Echo & Siren, as well as Tao at Dark Fest 2018; she also recently directed the world premiere of Ben Gassman's Independent Study, and Ailís Ní Ríain's The Tallest Man in the World. Ran is also a frequent collaborator of Exquisite Corpse Co. (Co-author of The Enchanted Realm of Rene Magritte, audio/visual installation version of Echo at the Memory House on Governors Island); a current Resident Director at The Flea, and a Resident Artist at Access Theater. Assistant Directing credits include: The Great Leap (by Lauren Yee, Dir. Taibi Magar at the Atlantic Theater), Baby Fat: Act I (a Screeching Weasel punk rock musical, Dir. Michael Scholar Jr, at La Mama with Columbia Stages), Two Mile Hollow (by Leah Nanako Winkler, Dir. Morgan Gould at WP Theatre), Kaspar (by Elizabeth Swados and Erin Courtney, Dir. Sam Pinkleton at the Flea), and Refrigerated Dreams by Carrie Mae Weems, Nona Hendryx, Francesca Harper, and Niegel Smith at Joe's Pub. A staff critic at Theatre Is Easy and Exeunt. ranxia.info| thearcticgroup.or

TROVE
RESIDENT COMPANY

Trove is a New York City-based theatre and live arts collective. Together, we create work that is playful, surprising, and dialectically complex, striving to engage audiences and artists alike as citizens. As emerging artists, we operate from the belief that we already have everything we need, pooling our collective resources (money, people, ideas, space) to create our art. 

Trove produces two main types of work: Trinkets and Treasures. Trinkets are one-off, open-invite, developmental workshops for generative artists who want to invite others into their creative process, born from our view of theatre as a constantly evolving, inherently collaborative thing. These often take the form of play readings, but can also encompass everything from dance workshops to interactive comedy shows. Treasures are more fully-realized projects that offer space for a team of artists to present their work to a larger audience. Past Treasures include a production of Penelope Gould’s Drive the Speed Limit at HERE Art Center as a part of HERE’s Summer Co-Op series and a duet of readings at The Tank for Limefest 2023. TroveIRL.com

JUSTIN KREBS
PRESIDENT AND CO-FOUNDER

Justin Krebs is a political and cultural writer, entrepreneur and organizer. He is the author of 538 Ways to Live, Work and Play Like a Liberal, a book that launched a 65-city tour, and he is a regular contributor to It's A Free Country, the politics website of WNYC, New York's Public Radio. Justin is a founder and National Director of Living Liberally, an organization that creates social communities around progressive politics across the country, including Laughing Liberally comedy shows, Screening Liberally film series, Drinking Liberally happy hours and many more programs. Justin has developed creative campaigns with progressive allies including environmental advocates, labor unions, immigration activists, civil rights groups and good-government campaigns. He is a former Senior Fellow at the New Organizing Institute in Washington, DC, and a former Activist Fellow with CREDO Action in San Francisco. Past experiences also include writing a history of New York City's playgrounds, running a citywide parks advocacy campaign, producing a civic engagement tour that turned into an award-winning PBS documentary and working for then-Senator Hillary Rodham Clinton. Justin is a graduate of Harvard University, native of Highland Park, New Jersey, and long-time President of the 45th Street Block Association. He serves on the Board of Directors of Immediate Medium, an experimental theater company, and Get In The Game, a non-partisan voter registration organization. He is adviser to Netroots Nation, a progressive blogger and organizer conference, and the Governors Island Alliance. 

ANTHONY SUNGA
SECRETARY

Anthony Sunga is an architectural designer based in Brooklyn working for Global Growth and Concepts, Starbucks. His work focuses on conceptualizing spaces that respond to emerging technology and evolving social behavior and realizes them as proof-of-concepts. He has previously worked for a number of New York architecture and development practices designing a wide-range of projects from tech workspaces to a horse farm.

He holds a master of architecture from the Graduate School of Architecture, Planning and Preservation, Columbia University and studied civil engineering and architecture from the University of Texas at Austin and Arlington, respectively. His graduate work took him around the world studying megablock public spaces in China, historic preservation practices in the West Bank and emerging urbanism in South Africa.

PATRICK ROUSSEAU
TREASURER

Patrick Rousseau is an executive producer at Iris MediaWorks, a production company he founded in 2004. He works with storytellers, artists, brands, and agencies to produce content that is meaningful and entertaining. He has produced four feature films and many web series and short films. Patrick has produced content for companies including General Electric, Fisher-Price, L'Oréal, Hewlett Packard, Eli Lilly, Condé Nast, Barclays, ConsenSys, and Techstars, among others. His work has won dozens of awards, including Webby Awards and several Best Picture and Best Web Series awards at festivals around the USA and abroad. When not producing content, he can be found exploring forests, down on the carpet with his toddler, or dreaming of the sailboat he had that one labor day weekend.

Patrick first attended a show at The Tank in 2009, where he saw a production his future wife was directing. He never left.

JENN DE LA VEGA

Jenn de la Vega is a community manager at Flipboard. No stranger to planting herself in creative environments, Jenn also runs Randwiches an award winning experimental food project ranging from catering to styling – praised by Time, Mashable and the Awesome Foundation. Jenn pioneered communications and social media strategy for The Tank from 2008 to 2013. When she's not making GIFs, she is sneaking bacon, curating events, backing Kickstarters and plotting to roast an animal somewhere in the wilderness. 

ERIC KREBS

Eric Krebs, whose theatrical producing career spans more than 40 years, founded and directed the Off-Broadway’s John Houseman Theater Center and Douglas Fairbanks Theater for over 20 years. He currently operates the Playroom Theater, www.theplayroomtheater.com. As a producer, he was most recently represented on Broadway by Bill Maher: Victory Begins At Home (Tony nomination for Best Special Theatrical Event). Other Broadway productions include Neil Simon’s The Dinner Party, It Ain’t Nothin’ But The Blues (nominated for 4 1999 Tony Awards including Best Musical) and Electra (nominated for 3 Tony Awards). Recent Off-Broadway productions include Laughing Liberally: Electile Dysfunction, For lovers Only, Will Durst: The All-American Sport of Bipartisan Bashing (New World Stages), Toxic Audio (2004 Drama Desk Award for Unique Theatrical Experience), Rounding Third, Langston Hughes’s Little Ham, Golf: The Musical, Tallulah Hallelujah starring Tovah Feldshuh, A Pure Gospel America, The Big Bang, the world premiere of Bash written by Neil LaBute, Serenade The World: The Music and Words of Oscar Brown, Jr., and This Is Our Youth by Kenneth Lonergan. Other New York producing credits include: Laughing Liberally, Capitol Steps, Fyvush Finkel From Second Avenue To Broadway, The Passion Of Dracula, Fool For Love, King Of Schnorrers, The Rise Of David Levinsky, By And For Havel and Paul Robeson (starring Avery Brooks). Mr. Krebs produced Geoffrey Ewing’s Ali, the biography of Muhammed Ali, a theatrical production featured at the Olympic Games in Atlanta in 1996, as well as at the Mermaid Theater in London. In the not-for-profit theater, he founded and for fourteen years was the Producing Director of the George Street Playhouse, a professional (LORT) theater in New Brunswick, New Jersey. Since 1998, he has been the chairman of Amas Musical Theatre, a not-for-profit theater founded by Rosetta LeNoire and dedicated to the training of “city kids” in the performing arts and the creation of new musicals for multi-ethnic casts. Mr. Krebs is a professor of theater arts at Baruch College, City University of New York, continuing a career as an educator that began in 1969 at Rutgers University in New Jersey, where he is professor emeritus. He was awarded the Robert Whitehead Award for excellence in producing in February, 1999. In April, 2007 he performed his own 90 minute adaptation of King Lear, a one person presentation entitled Considering Lear. Eric Krebs is the founder of the informational website www.studentrush.org as well as the owner of the School Theatre Ticket Program, www.schooltix.com. 

JJ LIND

JJ Lind is a Brooklyn-based artist and arts manager, who is currently the Executive Director of Abraham.In.Motion. JJ has also served as the Executive Director of The Civilians theater company and as the Director of Strategic Integration for New York Live Arts. In this latter role, he worked closely with Live Arts leadership to manage the merger and integration of the founding partners. Previously, JJ served as the Director of Development for the Bill T. Jones/Arnie Zane Dance Company, where he was a critical member of the team brokering, funding, planning and executing the merger. Creatively, he is the Artistic Director of Immediate Medium, a performance and producing collective he co-founded in 2002. JJ is a graduate of Yale University originally from Vinita, Oklahoma. 

JOSH LUXENBERG
CO-FOUNDER, SINKING SHIP PRODUCTIONS | CO-PRODUCER, PUPPET PLAYLIST

Josh Luxenberg is a Brooklyn-based writer and director. He wrote Powerhouse, which premiered in Fall 2014 at the New Ohio Theater. He is co-founder and co-Artistic Director of Sinking Ship Productions, a Brooklyn-based theater company. His script for Powerhouse was a Finalist for the 2012 Eugene O’Neill National Playwrights Conference, and with Sinking Ship, he is the recipient of an EST/Alfred P. Sloan Foundation commission for Flatland. Other Sinking Ship projects include: There Will Come Soft Rains and Puppet Playlist, a music/puppet cabaret series that is one of the primary venues for original short puppetry in the United States. Josh is currently the General Manager of the Connelly Theater, and has worked as assistant director at Paper Mill Playhouse, CENTERSTAGE, P73, NYMF, and others. He has also worked in the writers’ office of HBO’s The Wire. Josh is an alum of the Baltimore School for the Arts, where he studied acting, and of Oberlin College. Josh has been at The Tank since 2010. He is the co-founder of The Tank ongoing puppet series Puppet Playlist. 

JILL ROUSSEAU
AFFILIATED ARTIST

Jill Rousseau likes to make dance happen in New York. She created and produced the Tank’s unique xyz nyc series, which brings new, emerging, and established artists together in the same evening in a grand competition that's all in good fun; and curates the (kin)aesthetics series, which features sophisticated, fully realized evening-length dance pieces by new and emerging artists. Outside of the Tank, Jill is a member of the production team for the New Dance Alliance Performance Mix Festival. She’s choreographed and performed her own work at La MaMa E.T.C. and The Tank, and choreographed a video for The Whitest Kids U'Know on the Independent Film Channel. Jill has a BA in Theater and Dance from Trinity College and attended the Trinity/La MaMa program. 

RACHEL SCHWEITZER

Rachel Schweitzer is a fundraiser in New York City. Her Tank origin story begins in the basement on Church Street where she was hired as an intern. Since then, she has been a temp, a part-time employee, an advisory board member, and now a very proud board member. She has over 8 years of experience in professional fundraising with a focus on individual giving and donor stewardship. She currently works as a Major Gifts Officer at Queens College. Her favorite sweater is a gray men's cardigan she rescued from the Tank's lost and found box in 2007.

TIFFANY REA-FISHER

TIFFANY REA-FISHER (Executive & Artistic Director, EMERGE125) is a 7-time consecutive AUDELCO award nominee, an NDP Award winner, 2022 Toulmin Fellow, Creatives Rebuild New York Awardee, John Brown Spirit Award recipient, and was awarded a citation from the City of New York for her cultural contributions. She subscribes to the servant leadership model and uses disruption through inclusion as a way to influence her company's culture. She has extensive experience in choreographing and curating concert dance. As a choreographer, Tiffany has had the pleasure of creating numerous pieces for her company as well as being commissioned by Dance Theater of Harlem, Dallas Black Dance Theater, NYC Department of Transportation, Utah Repertory Theater, The National Gallery of Art in D.C., and having her work performed for the Duke and Duchess of Luxembourg. Her works have been seen on many stages including the Joyce, the Apollo, Joe's Pub, Aaron Davis Hall, and New York Live Arts. Tiffany was the first Dance Curator at the interdisciplinary arts organization The Tank where she now sits on their Board of Trustees. She is the Director for the Lake Placid School of Dance and also curates the Bryant Park Dance Summer Series providing free art access to thousands while exposing upcoming and established artists to a wider audience. In 2023 Tiffany also become the Executive Director of the Adirondack Diversity Initiative. Her professional affiliations include being an Advisory Board member of Dance/NYC, COHI INFLUENCER member of IABD, and a proud member of Women of Color of the Arts.

Emily Perkins-Margolin

MIKE ROSENTHAL
CO-FOUNDER & BOARD EMERITUS

Mike Rosenthal is the digital strategist for the band OK Go and runs their independent record label, Paracadute. He is also co-founder of the Manhattan non-profit performance space The Tank, and the organizer behind two international music festivals, Bent Festival and Blip Festival. Mike holds a master’s degree in Interactive Telecommunications from NYU. 

WES CHOW
BOARD EMERITUS

Wes Chow is CTO at Chartbeat, a real-time analytics company that focuses on publishers and news organizations. He was founder of S7 Labs, Lead Engineer at Songza, and a former founder and managing director of Athena Capital Research. He has also served the Tank, a non-profit arts space, in the capacity of volunteer, manager, artist, board member, and now advisor. Wes holds a BS from the University of California, Berkeley, and lives in Boerum Hill with his wife and daughters. He was born and raised in Gainesville, Florida. 

EMMA MCMULLIN
PAST ARTISTIC DIRECTOR

Emma McMullin is a Brooklyn-based singer/songwriter hailing from the East Coast of Canada. She makes music and friends whenever possible - teaching, playing and curating music with people ages 2 to 64. As a folk musician, she believes in the power of uninhibited intuition and that it ultimately leads to the most genuine truths. In bringing people together for a common cause - be it making music, art or effecting great change - we find something in each other that may have been hidden in ourselves. Through her music series at the Tank, she aims to facilitate a safe environment for fellow musicians to hear and be heard, to come together in a common love, and to discover something of themselves through one another. 

GREGORY RAE
BOARD EMERITUS

Gregory Rae is a Tony Award-winning producer based in New York. His theatrical credits include The Play that Goes Wrong, Allegiance, Hedwig and the Angry Inch (2014 Tony Award), A Time to Kill, Kinky Boots (2013 Tony Award, 2016 Olivier Award), Clybourne Park (2012 Tony Award), Bare (off-Broadway), and The Normal Heart (2011 Tony Award). He is an executive producer of the films Virgin Territory, Hello Again, The Goldfish, Clutter, The Muslims Are Coming, and Family Remains, and co-executive producer of The Green. He joined Carl White as a partner in Martian Entertainment LLC in 2013. Gregory graduated from Harvey Mudd College in 2000 with a degree in Mathematics and Computer Science, and received an honorary Doctorate of Humane Letters from Manhattanville College in 2014. He worked at Google as a software engineer in charge of log analysis until 2006. After leaving Google, he got involved in politics as one of the national leaders of Living Liberally, and has advised several campaigns for marriage equality around the country. In 2008, he was the technical lead for the No On Proposition 8 campaign in California, and in 2010 he served as treasurer of Fight Back New York, a political action committee that successfully targeted three New York state senators who had voted against marriage equality. Gregory serves on the board of trustees of Harvey Mudd College and on the advisory board of the Yale Drama Series. Previously, he served on the board of The Production Farm and the National Leadership Council of Lambda Legal, and is an emeritus board member of The Tank. He is an associate member of The Broadway League.

CLAIRE SILBERMAN
BOARD EMERITUS

Claire Silberman is a philanthropist and former lawyer who supports many progressive organizations. Claire practiced corporate litigation and banking law until 1997. She occasionally consulted in the financial compliance area of Promontory Financial Group, a consulting firm for global financial services companies, from 2002-2006. Claire serves on several non-profit Boards: the Voter Participation Center/Womens Voices Women Vote (working on increasing voting among under-represented populations); the Eagle Academy for Young Men Foundation (which supports a network of public boys’ schools in New York City); the Citizens Union of New York City Foundation; StreetWise Partners (which builds mentoring relationships between low-income individuals and business professionals); the New Leaders Council (a nationwide leadership program for young progressives); the Friends of the High School for Environmental Studies (NYC); and The Tank (a performing arts venue for emerging artists). She is also on the Stanford Law School Board of Visitors and the Tufts University Parents Leadership Council. Claire previously served on the Board of The HOPE Program, a welfare-to-work organization in Brooklyn, New York. Her philanthropy is focused on at-risk populations, progressive organizations and environmental groups.  Claire also volunteers with the Stanford University Center on Philanthropy and Civil Society. Involved in local politics, Claire serves on the State Affairs Committee of the Citizens Union of the City of New York. She holds a BA and JD from Stanford University, and has lived in Brooklyn Heights with her husband and kids since 1988. She was born and raised in Birmingham, Alabama.

JULIANA STEELE

Juliana Steele is the Development Specialist at Fractured Atlas, specifically focused on institutional and governmental support. Previously, she was a Program Specialist for Fiscal Sponsorship at Fractured Atlas, providing support for the fiscally sponsored artists and organizations who raised over $50 million during her tenure. She has sat on numerous fundraising panels in the New York City area, and has presented at the Foundation Center, South by Southwest, and other events and festivals around the country. Prior to Fractured Atlas, she was the Programming Coordinator at The Tank while it was located on Church Street in Tribeca. Before moving to New York, she spent four years managing the historic Byrd Theatre in Richmond, Virginia, a 1400-seat independent movie theater. She received her Master's in Arts and Cultural Management from Pratt Institute and also holds a BA in Art History from Boston University.

ALEX TIMBERS
CO-FOUNDER

Alex Timbers is a Tony-nominated writer-director and the recipient of Lucille Lortel, Drama Desk, and Outer Critics Circle Awards, as well as two OBIE Awards. Credits include: The Pee-wee Herman Show, Bloody Bloody Andrew Jackson (also book writer; Drama Desk, Lortel, and OCC Awards, Tony nomination), A Very Merry Unauthorized Pageant (OBIE Award, Garland Award-Best Director), Gutenberg! The Musical! (Drama Desk nom. - Best Director of a Musical), Peter and the Starcatcher (co-director, OBIE Award- Best Director), Hell House (Drama Desk nom. - Unique Theatrical Experience). Alex was President of the Yale Dramat and is the Artistic Director of downtown company Les Freres Corbusier.